Star Ranger

This music video is really just a set of previews set to an entire song. The previews consist of past videos along with what will be future videos. What I have planned. I have used scenes from 'All Through The Night, Never Ending Story, Starlight & Storms, My True Love's Eyes, La Paloma Revient, Take A Chance On Me, Arrival, The Last Of The Vikings, and As The World Falls Down' and added what I have planned for videos with these titles; The Anon Project - The Day Before You Came (Routine Remix) JFK Jr - Bleu Bayou (Rendezvous Remix) The Mythical Tales Project - Castle Walls (Dungeon Dub) The Greek Myth Project - Boat On The River (Mythical Mix) The Space Force Project - Come Sail Away (Stellar Sailing Mix) *Fernando* Hoor jij ook de drums, Fernando Hoor jij ook de drums, Fernando Hoor jij ook de drums Fernando Ik herinner mijn nog goed die heldere Sterrennacht van toen In het schemerlicht Fernando Je zong zachtjes in jezelf en speelde mee op je gitaar En ik hoorde in de verte sterren zingen over vrijheid luid en klaar Het gevaar was dicht Fernando Ieder uur, elk minuut kon nu voor ons de laatste zijn En ik was zo bang Fernando Want we waren veel te jong om zomaar zinloos heen te gaan En ik voelde me zo blij wanneer ik hoor dat jet vrede was voortaan Er was vreugde overal die nacht Want niemand dacht, Fernando Dat de vrijheid niet lang blijven zou Verdwijnen zou, Fernando Ook al was de vreugde kort van duur Niemand had spijt Iedereen zou voor zijn vrienden toen Hetzelfde doen, Fernando Het is lang voorbij Fernando Alles wat er toen gebeurde, dat is nu verleden tijd Hoor jij nog de drums Fernando Jij hebt nu al vele jaren geen geweer meer in je hand En ik zie vaak in je ogen dat je trots bent op de vrede in dit land Er was vreugde overal die nacht... Hoor jij ook de drums, Fernando Hoor jij ook de drums, Fernando Er was vreugde overal die nacht... *English Translation* Can you hear the drums too, Fernando Can you hear the drums too, Fernando Do you also hear the drums Fernando I still remember that clear one Starry night from back then In the twilight Fernando You sang softly to yourself and played along on your guitar And I heard stars in the distance singing about freedom loud and clear The danger was close Fernando Every hour, every minute could now be our last And I was so scared Fernando Because we were far too young to just go away pointlessly And I felt so happy when I heard that there was peace from now on There was joy everywhere that night Because no one thought, Fernando That freedom would not last long Would disappear, Fernando Even if the joy was short-lived No one was sorry Everyone would care for their friends back then Do the same, Fernando It's long gone Fernando Everything that happened then is now in the past Can you still hear the drums Fernando? You haven't had a gun in your hand for many years now And I often see in your eyes that you are proud of the peace in this country There was joy everywhere that night...

Homages to the movie 'Labyrinth' featuring David Bowie and his music. Lots of Q related content. Clocks, things not seeming the way they appear, masquerade, and the song I remixed here is from the scene in the film where Jareth (Bowie) is dancing with Sarah (Jennifer Connelly) in a masquerade party. I wanted to add dancing in this but this was already taking so long to produce and finish. The Mars reference is in recognition of Elon Musk who appears here to sing the song in parts. It's good for dancing, as a revolution without dancing is a revolution not worth having. But the musicians are here playing and singing and being pretty. And others are just standing there, looking nice.

Finn Kalvik's 'The English Polar Recordings' features this song as the 4th track of his EP single, produced by ABBA's Benny Andersson. The remix here has an added Viking horn note which I took and made a higher tone, and then brought it up to A Major making three different notes from the same sound effect. These are interwoven throughout the mix and I used some parts of the vocalization from the original track. For visuals I used some clips from some random Viking scenes, and artwork, along with my own animation of scenes I put together from yet other still photos and paintings (mostly paintings) to create a storyline within the song. This is dedicated to Christopher C. Miller. Finn Kalvik: https://www.youtube.com/watch?v=yac7g4sZq6Q

Arrival was first an instrumental from ABBA as the title track of their 1976 release. Years and years later Björn wrote lyrics to the melody and Sarah Brightman loaned her vocals to the production, releasing it on her 'A Winter Symphony' album. In this video some clips are from various scenes of random King Arthur movies and there is also a few scenes from Sarah Brightman's video of 'Time To Say Goodbye' and of which animation featuring her is pulled from. There is also a scene with Janine (Tarot Lady) and while I attempted to contact her to ask permission to use her likeness, I never got a response. I used it anyway because I feel she would approve. This is for Ezra Cohen Watnick.

Using a remix of Limahl's song 'Never Ending Story' I remixed it with added echo and vocal effects. This can be considered as a followup of 'All Through The Night' where new characters are featured.

This is the extra extended version. With all the characters in the end credits.

This was produced during 2021 right after Valentino. I was really getting into animation techniques and wanted to use a multitude of still pics that I'd made of the individual characters. Like Valentino, all of them have their own names and personas. And you may recognize some parts as being in other videos, this is where they came from. This is an extended remix but I had remixed the Cyndi Lauper track again (using both the original song and the live version) and because I had made so many stills of this production, there is a 'Deleted Scenes' short music video I put together to feature them before re-visiting the remix and making a longer extended version in order to add the extra scenes and do a few things to animate the scenes a little better.

The bits of music I used for this mix to feature unused scenes (as well as others from the first music video) are from the title track, Merlin the Magician (Rick Wakeman) and Feast of Starlight (Howard Shore).

I had made a little 17 second intro to alert my followers to the then-newest music video.

Far superior than my first disco themed video, this one I feel is much better. And it's a genuine ABBA song. The remix I made here uses a snippet from a medley from ABBA Mania, Erasure's rap segment of their recording of the song, and to close it out, a rare demo version that finishes the way it was started; acapella.

This Mireille Mathieu remix features only an intro that echoes the previous recording called 'La Paloma Adieu' and uses only various sound effects of ocean waves and wind. Dedicated to Kribs (or as everyone else calls him JFK Jr) although to me, he's Kribs. Which is a name that I made up for his 1920s gangster name from Valentino. The singer is also featured in this video as the lady in the red. And if you'd like, the mermaid-like woman can be Carolyn Basset Kennedy. Lyrics available here: https://genius.com/Mireille-mathieu-la-paloma-revient-lyrics

A tribute to Julian Assange and Stella Moris. The song's mix is from various parts from the original score to the movie 'Legend' that featured music by Jerry Goldsmith. The U.K. version that included songs sung by the character Lily, and to blend it together to sound as cohesive as possible, I added in various fairy-like sound effects. Here I will draw you into a fairy tale. The entire video is all my own animation.

Various scenes from my favorite show 'Hercules: The Legendary Journeys' and my favorite movie trilogy 'The Lord of the Rings' using a song featured in the fantasy movie 'Legend'.

It may seem far fetched, but the short-lived series called 'Cleopatra 2525' that ran after the two major television hits of the time "Hercules: The Legendary Journeys" & "Xena: Warrior Princess" went off air, had so much going on in their storyline than what it may seem at first appearance. Running back to back with 'Jack Of All Trades' (Bruce Campbell) Cleopatra 2525 tells the story of humanity being driven underground and fighting to reclaim the surface of the earth. This series features technology like med beds, anti-gravity devices, and AI weapons known as Baileys. For the remix I used three different tracks from two other remixes and the original song by Deborah Harry to create the mood for the theme of this video.

This was made simply for fun. A vacation. The extended remix I made of this famous Beach Boys song was something I'd always wanted to do, so now it finally exists. Many nods to Q and other people connected to it all.

Using some clips from Eric Kirk's channel (with permission) and a handful of character stills I'd made, I produced this to celebrate Julian Assange and Stella Moris's wedding.

I strongly felt that the song needed to be remixed and extended, so I did that. The sentiments are the same as in the previous video using the same elements of the song by 'The Proclaimers' and scenes from the movie 'Beetlejuice'. I had used some of the theme material for another video of a remix I'd made of 'Benson, Arizona'.

Having already begun testing animation techniques that I was able to pull off using very archaic programs and a regular home PC, I put this music video together using models I'd made of characters from different places and times and featured them in the general theme of the song. The music group 'Champagne' was a 1970s group from Holland whose gimmick was reflective of The Great Gatsby (1920s) and they sounded like ABBA (Disco) and the subject of the song itself that told the story of a sheik (Arabia) played by historical actor Rudolf Valentino.

German song recorded by Marianne Rosenberg set to the movie 'Logan's Run' and several instances that echo a few pieces of Q intel. I used very little animation in this video, which I tested against the movie's original backdrops. ATLANTIS IST WEIT - Marianne Rosenberg Schwarze Nebel in der Stadt, niemand der hier verloren hat, wohin geht die Zeit, Atlantis ist weit. Leben für den Augenblick, Leben für vergangnes Glück und ich weiß seit heut, Atlantis ist weit. Goldne Stadt in grauen Licht, ohne Zeit und Raum, Lieder klingen zu mir her, ich träume deinen Traum. Du vergehst, wie ein Komet, Lieder wenn sie der Wind verweht, bleibt nur Dunkelheit, Atlantis ist weit. Schwarzer Regen begräbt die Stadt, niemand der sie verlassen hat, wer versteht die Zeit? Atlantis ist weit. Traumstadt, tief im kalten Meer, helle Edelstein, niemand bringt ihn zu uns her, Atlantis, schöner Schein. In diesen stummen Tagen, wo Menschen nichts mehr fragen, wo Menschen nichts mehr wagen, nur Illusion. Schwarze Nebel in der Stadt... (1991)

This is another video youtube had no problem with until 2022. After it had been uploaded for over a year. It was also a re-edit to an older production of the same remix and some of the same visuals. But they blocked both videos without ever explaining why. None of the issues had anything to do with copyrights. A remix or a mashup is an automatic stamp of fair use. I used so many elements to bring this production together. It tells of darker threads in the Q story. Of the sadness and despair that has befallen all people who have since recognized the true invaders.

This is the video I uploaded years ago and that youtube had no problems with until May 2023 when they suddenly had a severe problem with my personal experience involving Q and the oath of a soldier. It's my own personal story I tell in the visuals and the chosen imagery I used, and the remix of an anthem and a lullaby. Take note; youtube will never allow people to tell their own personal stories or allow an individual to express their own hopes and dreams. There is no 'everyone is welcome to be themselves' where that company is concerned. They are bigots and tyrants. My own oath was from my heart, and a connection to Q that I chose to have of my own free will. Something I should have every right to embrace. It means something to me.

Using some still frames from the Entheos video, and a remix of both Frida and Donna Summer tracks of 'To Turn The Stone' and a few random graphics, this was spun together.

Layered with some undertones from various base arrangements of the original track. I extended some of Frida's vocal performance and blended parts of that together. The animations of characters featuring Elon Musk, Steve Jobs, the belly dancer, the Egyptian temple girl, the cat and the panther are all done by me. I animated the hieroglyphic stills. The rest were graphics borrowed from various license-free clips. This is my vision for the Pyramid Project to Frida's version of 'To Turn The Stone'.

Remix uses parts from 'Feast of Starlight' by Howard Shore with 'Storms In Africa' by Enya. Artwork and most animation is mine. This was made as a dedication to Enthéos. A tribute to Diamond & Silk. A foretelling for the freedom of Africa.